Category Archives: Theatre law

R&H Music Publishing Catalog valued at $200 Million (estimated)

My friend and podcast co-host Tamera Bennett has posted an article at her blog  about the valuation of the Rodgers & Hammerstein music publishing catalog.  Apparently, the catalog was worth around $200 Million when it was recently purchased by a Dutch pension fund.  This valuation is estimated by experts who suggest that it's  probably ...

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On Domain Names, squatters and new show titles.

One of my favorite blogs is Ken Davenport's PRODUCER’S PERSPECTIVE. Ken has posted an insightful piece about cyber-squatters and the need to register your show's domain name(s) early. The article is titled: Got an idea for a show? Here's the first thing you should do. This is among the first recommendations ...

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Jeremy Piven – Speed the Plow producers to arbitrate in June

Jeremy Piven's departure from the Broadway revival of 'Speed-the-Plow' is the subject of an Arbitration Hearing that has been set for June 8 and 9. Arbitrator George Nicolau will hear the matter, which concerns Piven's sudden withdrawal from the show, claiming he had high levels of mercury in his body, and was quitting on ...

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Financing independent films and theatre projects is more difficult in the current economic climate. Myth or Reality?

In recent weeks, I’ve had a number of clients express their view that the current down economy means that they won’t be able to find investors to finance their films and/or shows.   As a consequence, they’re sitting back, waiting things out.. not trying to make it happen. Meanwhile, I’ve had others tell me that investors are ...

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Recommended Reading: (NY Times) Subsidiary Rights and NonProfit theatres

RECOMMENDED READING Joy Goodwin's piece from the New York Times (11/22/2008) discusses the increasing tendency of nonprofit theatre companies to take a percentage of a playwright's subisidiary rights income... in some cases as much as 40%. ASK THE READERS: What do you think about this trend? Does a nonprofit production add enough value to ...

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Why every writing team should have a written collaboration agreement. (part 3 of 3)

This is the final installment of  a 3-part series on the importance of collaboration agreements for every writing or other creative team.  In Parts 1 and 2, I analyzed some of the important provisions found in properly negotiated and drafted collaboration agreements.  Here, I'll continue that discussion, and explain the advantages of using entertainment lawyer ...

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Why every writing team should have a written collaboration agreement. (part 3 of 3)

This is the final installment of  a 3-part series on the importance of collaboration agreements for every writing or other creative team.  In Parts 1 and 2, I analyzed some of the important provisions found in properly negotiated and drafted collaboration agreements.  Here, I’ll continue that discussion, and explain the advantages of using entertainment lawyer ...

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Why every writing team should have a written collaboration agreement. (part 2 of 3)

This is part 2 in a series of 3 posts about the importance of collaboration agreements to writing and other creative teams.  In part 1, I defined the term Collaboration Agreement, explained why such agreements are important to collaborators, and began exploring the usual terms of the collaboration agreements by looking at copyright ownership of ...

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Why every writing team should have a written collaboration agreement. (part 2 of 3)

This is part 2 in a series of 3 posts about the importance of collaboration agreements to writing and other creative teams.  In part 1, I defined the term Collaboration Agreement, explained why such agreements are important to collaborators, and began exploring the usual terms of the collaboration agreements by looking at copyright ownership of ...

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Why every writing team should have a written collaboration agreement. (part 1 of 3)

This is the first in a series of three posts on the importance of collaboration agreements for writing and other creative teams. What is a collaboration agreement? Any time two or more people join together to create a work such as a play, musical, song, screenplay, or any other work of art or authorship, they are ...

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