Gordon Firemark -Top Los Angeles Theatre & Film Entertainment Lawyer

Motion Pictures

Our Motion Picture Services include:

  • Counseling and representing producers, writers, actors, directors, and crafts-persons
  • Financing agreements
  • Co-Production agreements
  • Private Placements
  • Production agreements
  • Distribution agreements
  • Structuring production and financing entities (Corporations, LLCs, and Limited Partnerships
  • Investor financing arrangements
  • Option agreements and other matters relating to underlying rights.
  • Life story rights agreements
  • Rights clearance
  • Title searches and interpretation
  • Privacy, publicity and defamation issues
  • E&O Reviews
  • Union and guild matters

Quoted on ReelGrok about Crowdfunding and the JOBS Act

ReelGrok about the new crowdfunding rules to be implemented following President Obama’s signing of the JOBS ACT Thursday.  In the interview, I expressed my view that while the relaxation of the rules on how prospective investors can be approached for financing is a potential boon to theatre producers and indie filmmakers, the  need to scrupulously comply with the anti-fraud rules for such offerings remains.  With the new law, small businesses may find it easer to approach investors, but those investors will need to be vigilant in protecting their interests.  The potential for fraud is really quite high.

Read the Article here:

Obama Signs Jobs Act
Crowdfunding to Boost Indie Filmmaking

Asked & Answered: What obligations when author is dead and publisher can’t be found?

 Q:  If there is a book or books where the author/s are no longer alive or exists and the publisher no longer holds a copyright/patent and/or is defunct — what are my legal or ethical obligations regarding any living relatives (if any) to the original author/s…?

A: It’s important to distinguish between the question of whether the publisher or rights holder still exists, and whether the protection of copyright law is still in force.   We can’t conclude that the copyright no longer persists merely because the publisher is defunct.  Often, when companies go out of business, they sell or transfer their assets, so it’s important to investigate carefully.

If the copyright in the work has indeed expired, or if the author has expressly dedicated it to the public, it is said to be in the public domain, and is therefore free for anyone to use, without obligation to the original author or his/her estate.

An experienced entertainment lawyer can help determine who, if anyone, holds rights that need to be cleared.

This is intended as general information only and does not establish an attorney-client relationship. It is not a substitute for a private, independent consultation with an attorney selected to advise you after a full investigation of the facts and law relevant to your matter. We will not be responsible for readers’ detrimental reliance upon the information appearing in this feature.


Thinking of Producing it yourself? subscribe to my FREE e-course “6 ways to Finance A Feature Film” by visiting http://firemark.com/minicourse

Asked & Answered: Dialogue from an existing Play used in new screenplay

Jeff asks about whether it’s necessary to get permission to have a character in his film quote lines from a famous play.

In this video answer, I recommend in favor of getting permission, though in the U.S., the usage might constitute fair use protected under the First Amendment.

Asked & Answered: More about life-rights

Ros wants to know about the type of agreement needed when preparing a biopic about a person based on conversations and letters from the subject.

 

In this video, I discuss the nature of a life-rights agreement and I explain that there’s no single “Best” form of contract, that deals need to be custom-tailored to the specifics of a situation.

Asked & Answered: The Wizard of Oz and the public domain.

An anonymous viewer asks whether the producers of “Oz: The Great and Powerful”, scheduled for release in 2012 needed to make an arrangement with the copyright holders for “The Wizard of Oz”, or whether a loosely based “homage” can be done without copyright clearance

 

My Answer:

Distribution Windows: a broken system?

My good friend Peter Kaufman has a new piece on his blog Deal Fatigue about the broken distribution windows system, and how/whether it needs repair. read his piece here If you’re a filmmaker, its time to consider that the old model of staggered releases across various media is on the way out. Tweet

What you absolutely must know before you approach investors for your film / play / musical.

I am often consulted by film and stage producers who tell me they’re ready to start work on raising the financing for their films/ plays/ musicals, or what-have-you, but often as not,  as we get to work, it becomes clear that they’re not as ready as they think. Before going out to investors, it’s important to…

Asked and Answered: What rights do I need for a classical music film score?

Paul is planning to use public domain music, reinterpreted for his film score and wants to know what rights and agreements he will need.   QUESTION: Paul wants to know: Does a film producer need copyright permission for a classical film music score, if the score is being reinterpreted by the producer’s own composers and…

Asked and Answered: Orphan Works

Guy asks what to do about rights to a book, when you can’t find the heirs of a deceased author, and the publisher is defunct. Tweet

Asked and Answered: Using a pre-existing film title for a new screenplay

Damian asks about using a pre-existing film’s title for his new screenplay. Here’s my answer: Tweet