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Monthly Archives: May 2011

Getting a tattoo? If you’re in the media you need to get the copyright too!

Things just got more complicated for on-camera folks who have tattoos, body art or other adornments.

In the movie Hangover II, Ed Helms' character wakes up with a replica of Mike Tyson's facial, tribal-art inspired tattoo, created by a tattoo artist from Missouri, and comedy ensues.. but not for the film's producers, who failed to get the proper clearances from the owner of the copyrighted design.

The tattoo artist in question has registered the copyright, and filed a lawsuit for damages and an injunction. He even initially asked the Court to issue a preliminary injunction which would have prevented the release of the film. Although Warner Bros. avoided the preliminary injunction, and was thus allowed to release the movie (garnering tremendous first weekend box-office revenues), in denying the injunction, the Judge make an important statement. Specifically, the Court acknowledged that the tattoo artist has established a “likelihood of success on the merits” of the copyright infringement case. Essentially holding that the Tattoo was copyrightable, and that the film probably does infringe that copyright.

What if Tyson had obtained the copyright in the tattoo, rather than allowing the artist to retain it? In that case, he could have granted WB the right to reproduce it in the film. (Tyson appeared in the first Hangover picture, and apparently has a cameo in the sequel, as well.)

While such grants aren't commonplace in current talent agreements for motion pictures, it's a safe bet that following this lawsuit, they will be included as a matter of course.

So, if you're an on-camera personality, whether an actor, reality show contestant, talk-show host, newscaster, or sports-figure, you can expect that your next contract will include some language stating that you have the complete right and authority to enter into the contract and to grant the rights included in the agreement, which will likely include the right to display, reproduce and make derivatives of any body art, adornments or stylings you may have. If you don't own such rights, you'd need to alert the producers, and warn them to obtain clearances from those who do. Since producers aren't likely to want to take on such additional leg-work, not owning the rights in your body art and adornments could actually cost you the job

Now, it's anything but a given that every tattoo is sufficiently original to entitle it to copyright protection…. and even less certain that the artist will care, or jump through the regulatory hoops of registration, but some will. So, discretion being the better part of valor, it's incumbent on on-camera folks with tattoos, piercings, and what-have-you, to make sure they obtain either (a), the copyright in any such artworks, or (b) a non-exclusive license to use, display, make derivative works based on the artworks, and to license others to do the same.

Yes… things just got more complicated. The good news: The paperwork is simple. Most lawyers who pay attention to this stuff can crank out the needed copyright assignment documents in about 15 minutes.

Getting a tattoo? Got some existing artwork that could be an issue? Give me a call!

Asked & Answered: Original vs. Adapted works

Q: “When is a work ‘Original', and when is it an ‘adaptation'?”

This is intended as general information only and does not establish an attorney-client relationship. It is not a substitute for a private, independent consultation with an attorney selected to advise you after a full investigation of the facts and law relevant to your matter. We will not be responsible for readers’ detrimental reliance upon the information appearing in this feature.


Thinking of Producing it yourself? subscribe to my FREE e-course “6 ways to Finance A Feature Film” by visiting https://firemark.com/minicourse

How Musicals Get Financed – summer workshop

This summer, I'm going to be leading an ANMT Musical Theatre Bootcamp workshop for aspiring producers.

Thinking about producing yourself? Wondering what makes producers tick? Looking for financing for your new show? In this hands-on workshop, Theatrical Attorney/Producer Gordon Firemark will walk participants through the process of financing plays and musicals. The first session of this two-evening program will explore sources of funding, typical business structures and the attendant legal requirements and restrictions associated with financing a show. Participants will then draft and present an outline of a financing plan/proposal for review and discussion on the second evening. You'll leave armed with an action plan for next steps toward making your show a reality!

 

Space is Limited, so Click Here to Sign Up Now!

 

Instructor: Gordon Firemark
Two Tuesday evenings, 7-9pm
July 26 and August 2


Entertainment Law Update Episode 20 – Tattoos and Topiaries

Call us with your feedback: (310) 243-6231 In this Episode: follow ups on Righthaven, Girls Gone Wild,etc. Bratz  verdict of $88.5 Million Copyright doesn’t pre-empt contract and confidence claims Vandals smear Variety No moral rights in landscape design? Tattoo Law and more… GET CLE CREDIT for this episode.   Entertainment Law Update is brought to… Continue Reading

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