Tag Archives: broadway

Broadway Producer Ken Davenport launches Broadway Investors Survey

Ken davenport headshot thumbnailBroadway Producer Ken Davenport is a forward-thinker who is constantly pushing the envelope to improve things for the theatre producing community.

Right now, he's conducting a survey of Broadway Investors so he can put together a composite of the typical Broadway Investor. When it's ready, he will publish the results for all of us to see and learn from. Yep, soon enough, we’ll all have a picture of what Broadway investors look like! And, we’ll also know how we can give them an even better experience! Sounds like a great idea, right?

Here's a link to Ken's blog post about the survey. You'll see that it's completely anonymous.

If you're a producer, help out by forwarding the survey to your investors, and if you're an investor, please help us serve you and the theatre as a whole, better!

Entertainment Industry Insights Podcast #004: Nat Mundel

Entertainment Industry Insights Podcast #004: Nat Mundel

 Entertainment Industry Insights Podcast
Episode 4:  Nat Mundel


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Voyage Media CEO and Founder, Nat Mundel
Voyage Media CEO and Founder, Nat Mundel

In this episode of Entertainment Industry Insights, I speak with Nat Mundel, Founder of Voyage Media, and Co-Founder of TODpix.Mr. Mundel's vision is to streamline and democratize the entertainment industry by creating new business models, services and tools that help filmmakers more effectively develop, produce and distribute their projects.

Voyage Media, established in 2002, has helped filmmakers develop, package and sell over 2000 entertainment projects ranging from movies, TV series and branded entertainment. In addition to hundreds of emerging filmmakers, Voyage and its team members have served A-list organizations such as Anonymous Content, Jerry Bruckheimer, Paramount, Lionsgate, Dimension, Alcon Entertainment and more.

TODpix, launched in 2012, is the industry’s first theater on demand (TOD) distribution platform and partners with filmmakers and studios to digitally deliver movies in theaters to match audience demand.

In an earlier life, Nat was a professional rock climber and high altitude mountaineer, owning and operating a successful guiding company, Global Explore. He is a pilot, surfer, and life-long learner. He is married, has a daughter, and lives in Topanga, California. Continue Reading

Why theatre authors are more powerful than screenwriters.

Authors in theatre enjoy privileges and approval rights not held by their screenwriting brethren. Sometimes, this can lead to trouble for producers and playwrights alike.

A recent article at The Guardian asks: “Should a playwright have the final say over a production?. The piece reports on an issue that arose recently when a disgruntled Australian playwright made a very strong statement against a production of his play.

On the opening night of Lachlan Philpott's new play, “Alienation”, the author removed his name from the production, and placed a note on each seat in the theatre declaring, “this production does not reflect my original scripted or communicated intentions as the playwright.”

The producers, the Perth Theatre Company later refuted this in their own statement, essentially calling Philpott's statements “inaccurate and unwarranted”.

But the incident has spurred some in the theatre to reexamine the power and authority of the playwright, and to question whether changes are needed. (if they're possible at all).

Authors' rights in Theatre are far more expansive than in film, television, etc.

Historically, the playwright (or the bookwriter, composer and lyricist of a Musical) has/have been given great deference when it comes to creative matters relating to their work. Under most production contracts, in fact, the author is given a right of approval that is very nearly absolute.

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Entertainment Industry Insights Podcast: Ken Davenport

 Entertainment Industry Insights Podcast Episode 3:  Ken Davenport    In this episode of Entertainment Industry Insights, I speak with Broadway Producer  Ken Davenport. Ken Davenport is a Broadway producer whose credits include Macbeth, Kinky Boots, Godspell, Chinglish, Oleanna starring Bill Pullman and Julia Stiles, Speed-the-Plow, Will Ferrell’s You’re Welcome America, Blithe Spirit starring Angela Lansbury,… Continue Reading

What happened to “Rebecca”, and how to keep it from happening to you.

It could happen to any of us. It seems that the much-anticpated  production of Rebecca, based on the Daphne du Maurier novel has been cancelled. The reason?  The money fell through. It could happen to any of us, at any time.  Producing theatre is a complex alchemy, combining hundreds of elements to create magic.  But ultimately,… Continue Reading

Broadway’s Spiderman: weaving a tangled web

When Spiderman:Turn Off The Dark’s original writer/director ,Julie Taymor, sued the show’s producers late in 2011, nobody was particularly surprised. Ms. Taymor’s lawsuit alleged numerous counts, including the obvious breaches of contract, and the not-so-obvious copyright infringement claims. That suit seeks millions in unpaid fees and royalties allegedly due Taymor, and an order enjoining the… Continue Reading

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