<\/a>Q:<\/strong> I am new to the screenplay business.\u00a0 I do not have an agent since I have not yet had anything produced and the agents that I have approached are not taking on new clients. I have written a screenplay that has been a contest winner. I have shopped around and have attracted some interest from producers. There has been discussion about re-writes and touch ups.\u00a0 At what point is it appropriate to discuss the payment for the screenplay? Further to this, at what point does one seek legal advice?<\/p><\/blockquote>\n

A:<\/strong> Producers love to give “feedback” on scripts, and ask the writers to re-write, revise and tweak the script before they commit to purchasing the rights.\u00a0 My usual advice is that writers NOT perform writing services for free, especially if the producer asking for such rewriting hasn't yet purchased an option on the material.<\/p>\n

The harsh reality, for many writers, though, is that producers won't option material they feel needs work unless the writer is prepared to first make some changes.\u00a0 Moreover, producers may want to see whether the writer is one they will want to work with.\u00a0 So, writers often agree to perform a free rewrite or polish\u00a0 in order to entice a producer to purchase an option.<\/p>\n

What I recommend is that writers listen to all producers' comments and notes with an open mind, and if something ‘feels' worthwhile, go ahead and do a little rewriting, before resubmitting the material.\u00a0 Otherwise, it's appropriate to discuss business before doing the rewrite.
\nI'd only go-around like this once, though… after that, the producer should put some money where his\/her mouth is.\u00a0 Purchasing an option is not a tremendous capital outlay.\u00a0 If a producer has some “skin in the game”, he's more likely to push forward with the project, so don't be shy about asking for a deal, payment, etc.<\/p>\n

A producer who's unwilling to pay for a script, rewrite, or whatever, is probably not that passionate about your material.\u00a0 Moreover, if you're going to spend time writing,\u00a0 I think you're better off writing another, new spec, rather than reworking your older material.<\/p>\n

When should you seek legal advice? It's never too early to establish a relationship with an entertainment lawyer.\u00a0 Regardless,\u00a0 don't sign anything without getting some good advice.\u00a0 Even the simplest looking document can be loaded with traps for the unwary.<\/p>\n

This is intended as general information only and does not establish an attorney-client relationship. It is not a substitute for a private, independent consultation with an attorney selected to advise you after a full investigation of the facts and law relevant to your matter. We will not be responsible for readers\u2019 detrimental reliance upon the information appearing in this feature.<\/span>
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\nThinking of Producing it yourself? subscribe to my FREE e-course “6 ways to Finance A Feature Film” by visiting http:\/\/firemark.com\/minicourse<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Q: I am new to the screenplay business.\u00a0 I do not have an agent since I have not yet had anything produced and the agents that I have approached are not taking on new clients. I have written a screenplay that has been a contest winner. I have shopped around and have attracted some interest […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"yoast_head":"\n