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Recommended Reading: (NY Times) Subsidiary Rights and NonProfit theatres


Joy Goodwin's piece from the New York Times (11/22/2008) discusses the increasing tendency of nonprofit theatre companies to take a percentage of a playwright's subisidiary rights income… in some cases as much as 40%.


What do you think about this trend?

Does a nonprofit production add enough value to a new play to justify sharing the playwright's income from other productions, film rights, publishing, licensing, etc?

At what level of production does it make sense for a playwright to share?

Post your comments… I'll summarize the results in a future post.

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